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Etsuji Noguchi White Square Bottle S 2025

Sale price$210.00

For bulk orders, sizing, textures, availability, or other requests, please contact our support team.

Free shipping on orders over $200 does not apply to this item.
Description

Noguchi's collection features surfaces that evoke natural elements and weathered landscapes. His pieces display distinctive colorations achieved through multiple firings, creating textured finishes that recall oxidized metal, volcanic stone, and earth.

Based in Kagoshima, Japan, Noguchi apprenticed under master ceramicist Takashi Nakazato and has built wood-fired kilns internationally. He describes his aesthetic as "calm and powerful, primitive and modern," creating vessels designed to support what they hold rather than demand attention.

The base of each piece carries a rough texture as part of Noguchi's process. We recommend pairing with a placemat on delicate table surfaces.

Details

Material: Ceramic
Dimensions: Min Ø 0.5" × Max Ø 1.5" × 8.7" H (Ø 13 × Ø 38 × 221 mm)

Country of Origin: Japan

Care
  • Hand wash only with neutral detergent and a soft sponge or cloth. Avoid abrasive scrubbers, scouring pads, and cleansers.
Shipping & Delivery
Ships within 2 business days if in stock. This is a one-of-a-kind piece and will not be restocked once sold out.

Etsuji Noguchi White Square Bottle S 2025

We're here to help. For questions about bulk orders, sizes, finishes, custom gifts, or anything else, please submit an inquiry.

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Etsuji Noguchi 野口悦士

About Etsuji Noguchi 野口悦士

Born in 1975 in Saitama Prefecture, Etsuji Noguchi moved to Tanegashima, Kagoshima in 1999, drawn by the region's Yakishime pottery tradition. There he learned the complete cycle of ceramic making, from mining clay to firing in traditional kilns. In 2006, he apprenticed under master ceramicist Takashi Nakazato in Karatsu, before taking his practice to Italy, the U.S., and Denmark, where he built a wood kiln for KH Würtz, the studio behind ceramics for Noma and other renowned restaurants.

 

Noguchi's work features surfaces rich with iron-oxide patina and rust-red tones that evoke natural landscapes. Through use, the pieces develop a gentle sheen. He describes his aesthetic as "calm and powerful, primitive and modern," creating vessels that belong to no specific era or place, vessels that quietly enhance what they hold without demanding attention.