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Eiji Matsumura Large Plate/Bowl A 2025

Sale price$195.00
Style: J

For bulk orders, sizing, textures, availability, or other requests, please contact our support team.

Free shipping on orders over $200 does not apply to this item.
Description

The flowing glaze creates a unique color on each piece—no two are exactly alike, making each one special in its own way.

Eiji Matsumura's works are crafted using a highly distinctive clay, giving them a one-of-a-kind texture. As a result, many pieces feature protruding pebbles, small holes, or slight distortions in shape. Some may also exhibit subtle waviness. Additionally, the glaze varies significantly from piece to piece, creating unique expressions and occasional surface marks.

However, these natural imperfections are an integral part of their charm.

Dishwasher and microwave safe.
Perfect as functional tableware or decorative objects.

Details

Approximately 12.0"⌀ x 2.0"H

Country of Origin: Tokoname, Japan

Care
  • Microwave and dishwasher safe, but avoid rapid temperature changes or thermal shock.
  • Do not use on direct heat such as in an oven or on a gas stove.
Shipping & Delivery
This is a one-of-a-kind piece and will not be restocked once sold out.

Eiji Matsumura Large Plate/Bowl A 2025

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Shop Eiji Matsumura 松村英治

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Eiji Matsumura 松村英治

About Eiji Matsumura 松村英治

Eiji Matsumura, born in 1970 in Kumamoto City, Japan, is a ceramicist working from his studio in Agui, Aichi Prefecture. He spent his early twenties traveling across Asia, including Pakistan and Afghanistan, before pursuing formal sculpture studies at Kanazawa College of Art, graduating from the sculpture program in 1997. He completed the ceramics program at the Tokoname City Ceramic Research Institute in 1999, then worked in a professional pottery factory before establishing his own studio.

 

His signature technique is nanbanyaki, an unglazed, wood-fired approach with roots in Southeast Asia, China, and Okinawa. Using iron-rich clay and no glaze, he fires each piece three times, sanding carefully between firings. The result is a surface that looks weighty and ancient but feels smooth and light in the hand. Despite their visual presence, even his largest plates are unexpectedly easy to hold.

 

He cooks for his family nearly every day, and that attentiveness to use runs through every decision he makes: the grip of the foot ring, the angle of the rim, the way food settles and reads against the clay. Durable enough for professional kitchens, and made to deepen in color and character over years of use.