



Yuko Ikeda Bronze Matcha Bowl 25-02
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Description
Yuko Ikeda’s matcha bowls (chawan) are celebrated for their emotional depth and refined craftsmanship. More than just functional objects, her pieces evoke a quiet, profound sensibility that resonates with those who use them. Each bowl is one of a kind, reflecting her deep dedication to her craft and her strong connection to the art of tea. Collectors and tea enthusiasts alike value her work for its ability to embody both aesthetic beauty and emotional nuance.
This matcha bowl is finished with multiple layers of glaze. It is crafted from clay blended with traditional Japanese washi paper. Each piece is first fired in a kerosene kiln, then refired in an electric kiln to achieve its final form.
Details
Material: Clay, Washi Paper
Dimensions: 5.2"L x 4.5"D x 4.0"H
Country of Origin: Japan
Care
- Hand wash only with neutral detergent and a soft sponge or cloth to preserve overglaze colors and decorative finishes. Avoid abrasive scrubbers, scouring pads, and cleansers.
- Not microwave safe. Do not use on direct heat such as in an oven or on a gas stove.
Shipping & Delivery
Ships within 2 business days if in stock. This is a one-of-a-kind piece and will not be restocked once sold out.
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Yuko Ikeda Bronze Matcha Bowl 25-02
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About Yuko Ikeda 池田優子
Yuko Ikeda 池田優子 is a self-taught ceramicist based in Osaka, Japan, whose work moves between vessel and object, ceramic and painting. Born in Osaka in 1973, she studied graphic design at Platt College in San Diego before returning to Japan and teaching herself ceramics entirely on her own terms.
Her process is deliberate and intuitive in equal measure. When forming a piece, particularly the rim, she trusts what her hands feel rather than directing them toward a predetermined shape. Glazing works the same way: layers applied with a brush, surfaces divided into sections, color laid down at random. The result feels closer to painting than ceramics.
Her forms draw from the sea: tidal movement, coral texture, the particular way light moves across water at different hours. Blues run deep and uneven. Whites carry warmth. In recent years she has divided her time between Osaka and a second studio in coastal Tokushima, where her family surfs and the tide shapes daily life. She approached tea ceramics with the same openness, spending years before feeling ready to work within that tradition. The chawan and tea objects she makes now are, in her words, art pieces you can actually use.






















































































































































































































