



Yuko Ikeda Vase 25-01
Description
The inside is coated with a matte black iron glaze. On the exterior, a base glaze mixed with coarse sand is first applied by brush, then layered with another coat of black iron glaze to create a raised, textured finish. The layering process results in a complex, tactile surface.
There are no issues with water leakage.
Due to the use of coarse clay, there may be slight water staining if water is left in the piece for several days, especially at first. However, if this occurs, it will stop over time.
Details
Dimensions: 7.5"D x 16.5"H
Each handmade piece is unique, with variations in size, shape, glaze, and color.
Country of Origin: Japan
Care
- Not intended for microwave or dishwasher use.
- Hand wash only with neutral detergent and a soft sponge or cloth to preserve overglaze colors and decorative finishes. Avoid abrasive scrubbers, scouring pads, and cleansers.
- Do not use on direct heat such as in an oven or on a gas stove.
Shipping & Delivery
Ships within 2 business days if in stock. This is a one-of-a-kind piece and will not be restocked once sold out
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Yuko Ikeda Vase 25-01
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About Yuko Ikeda 池田優子
Yuko Ikeda 池田優子 is a self-taught ceramicist based in Osaka, Japan, whose work moves between vessel and object, ceramic and painting. Born in Osaka in 1973, she studied graphic design at Platt College in San Diego before returning to Japan and teaching herself ceramics entirely on her own terms.
Her process is deliberate and intuitive in equal measure. When forming a piece, particularly the rim, she trusts what her hands feel rather than directing them toward a predetermined shape. Glazing works the same way: layers applied with a brush, surfaces divided into sections, color laid down at random. The result feels closer to painting than ceramics.
Her forms draw from the sea: tidal movement, coral texture, the particular way light moves across water at different hours. Blues run deep and uneven. Whites carry warmth. In recent years she has divided her time between Osaka and a second studio in coastal Tokushima, where her family surfs and the tide shapes daily life. She approached tea ceramics with the same openness, spending years before feeling ready to work within that tradition. The chawan and tea objects she makes now are, in her words, art pieces you can actually use.



























































































































































