
Ryuta Fukumura No. 2520
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Description
Ryuta Fukumura works with hanjiki, a semi-porcelain clay body that falls between earthenware and porcelain. His distinctive silver and iron glazes develop through repeated low-temperature firings in a traditional log-burning noborigama (climbing kiln), revealing atmospheric textures and quiet depth particular to this clay. Over time and with use, the glazes transform, acquiring warmer patinas and a gentle luster.
Care
- Hand wash only with a neutral detergent and a soft sponge or cloth. Avoid abrasive scrubbers, scouring pads, and cleansers. Dry thoroughly before storing to prevent moisture buildup, discoloration, or mold.
- Not microwave safe. Do not use over direct heat, including ovens, gas stoves, or open flame.
- Before first use, or if the piece has not been used for an extended period, soak it in rice water (or plain water) for about one hour to help fill fine pores in the clay and reduce staining.
- Over time, the surface will develop a subdued, antique-like patina, which is part of the character of the work. To restore some of the original silver color, gently clean with a soft sponge and toothpaste containing a mild abrasive.
Shipping & Delivery
This is a one-of-a-kind piece and will not be restocked once sold out.
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Ryuta Fukumura No. 2520
Sale price$200.00
Ryuta Fukumura No. 2520
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About Ryuta Fukumura 福村 龍太
Based in Ukiha, Fukuoka Prefecture, Fukumura is the second generation of Nichigetsu Kiln, raised within the rhythms of clay and fire. His practice is shaped by early experiences preparing raw materials, tending the kiln, and working in close dialogue with process. His study of tea ceremony and flower arrangement further informs a restrained, spatial approach to form.
Working with locally sourced materials, Fukumura fires his work in a traditional log-burning Nobori-gama (climbing kiln). Within the kiln, minerals, ash, and silver glazes interact beyond the artist’s control, producing nuanced surfaces marked by subtle irregularities and tonal depth—records of time, fire, and transformation.
Rooted in regional tradition yet open to contemporary influence, Fukumura’s recent works allow the natural character of the clay to lead. What remains is a body of work that is calm yet resolute—subtle in form, and deeply considered.































































































































































